Her works contain both sentiments of the world as a devastating yet captivating place.
Sue's multidimensional practice expresses a deep respect and love for landscape. Her works contain both sentiments of the world as a devastating yet captivating place. The first step of her production process is crucial. She begins by sketching in the fields, gathering archival research and undertakes personal interviews and mappings. Drawing acts as a means to solidify her visual library and provides a framework to rid herself of extraneous details. This process is often apparent in her monotypes that are produced using old copper etching plates, mark making, mono printing and stencils. The spontaneity of using print as a medium develops her practice in a way in which the process of one work informs her next.
Sue returns to an area multiple times learning its pathways, and stories until she can map them in her head geographically incorporating the area's current tales and past histories. Coupled with imagination, she seeks to create work that is a distillation of her experiences in creating a factual fiction… a sort of unreality.