Lizzie Lilley's "Refuge" (1967) presents a striking exploration of human figures rendered in a captivating palette of reds, oranges, and deep blacks. This oil on plywood panel (53 x 43 cm framed) depicts an abstract crowd scene where shadowy figures emerge from and recede into a fragmented background. Lilley employs bold brushwork and a semi-abstract approach, creating a visual tension between recognisable human forms and geometric shapes. The dominant red hues evoke a sense of warmth yet also urgency, suggesting both community and anonymity within the gathered crowd. The composition draws the viewer into a contemplative space where individual identities blur into a collective experience.

A Sanctuary in Colour and Form
The title "Refuge" invites deeper consideration of the painting's emotional resonance, suggesting a place of shelter or gathering amidst uncertainty. When displayed, this mid-century work commands attention through its bold chromatic presence, creating a focal point that transforms the surrounding space with its emotional intensity. The modest scale of the piece creates an intimate viewing experience that rewards close observation, revealing subtle details in Lilley's technique and composition. "Refuge" exemplifies the mid-20th century artistic exploration of human connection and separation, offering viewers a timeless meditation on community that remains as relevant today as when it was created more than five decades ago.