Rooted in the figurative representation of reality, Anna's paintings are distorted by layers of ink and paint.
Anna's practice reflects how we experience reality, shaped by memory, perception, and emotion. She seeks to capture the essence of human experience by using abstraction, rather than focusing on details. Rooted in the figurative representation of reality, Anna's paintings are distorted by layers of ink and paint that superimpose memories over the brushstrokes.
Although drawn to abstract forms and meaning, recognisable shapes and silhouettes often remain visible in her works. These become fragments of memory that can be both vague and detailed, they create a space for the viewer to engage with the work in a more subjective and personal way, to speculate and find their own meaning within the artwork, bringing own life experiences and perspectives to the interpretation.
Anna uses unconventional tools to produce her paintings. From shower squeegees, recycled clothing tags to small found objects, she introduces an element of chance into the painting process that disrupts the figurative detail. Anna hopes her paintings leave space for the viewer's imagination to join the dots evoking hazy recollection of past memories, of places left behind, visited once and forgotten, blurring the line between familiar and the unknown.